{"id":186,"date":"2023-10-12T15:26:27","date_gmt":"2023-10-12T22:26:27","guid":{"rendered":"https:\/\/music.wsu.edu\/focam\/?page_id=186"},"modified":"2025-10-07T11:33:20","modified_gmt":"2025-10-07T18:33:20","slug":"kurt-rohde","status":"publish","type":"page","link":"https:\/\/music.wsu.edu\/focam\/kurt-rohde\/","title":{"rendered":"Kurt Rohde"},"content":{"rendered":"
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The music of composer and violist Kurt Rohde has been described as being “filled with exhilaration and dread. It’s a mirror of our times, It’s dark music, lit up by peckings, clackings, snaps and slides. It sounds eerie, but lyrical; sustained, but skittish; free-form, yet dancing.” <\/em>(San Jose Mercury News, Richard Scheinin)<\/p>\n\n\n\n

Musician Kurt Rohde<\/strong><\/a> plays viola, teaches and composes. Kurt lives in San Francisco on unceded Ramaytush Ohlone land with husband Tim Allen and their dog Hendrix. In addition to enjoying double IPAs, off-beat films, and long distant running, Kurt is Artistic Advisor with the Left Coast Chamber Ensemble<\/a>, Artistic Director of the Composers Conference<\/a>, and teaches Music Composition and Theory at UC Davis<\/a>. Rohde has received the Rome Prize, Berlin Prize, fellowships from the Radcliffe-Harvard Institute for Advanced Study and Guggenheim Foundation, and awards from American Academy of Arts and Letters, Barlow, Fromm, Hanson, and Koussevitzky Foundations.<\/p>\n\n\n\n

Kurt is fascinated with the codification of failure in current culture, and is trying to find ways to incorporate notions of failure and catastrophe into the way he makes work in the pursuit of making something beautiful.<\/p>\n\n\n\n

Recent projects include new works for the Curtis Institute of Music and bass trombonist Blair Bollinger (gyre\u2026tone<\/em> for bass trombone and electronics), Hidejiro Honjoh, the Grossman Ensemble<\/a> (the hardest folksongs never written<\/em>), and Ensemble \u00c9chapp\u00e9<\/a>. A new work for the Lydian String Quartet<\/a> (seeking all that\u2019s still unsung<\/em>) was commissioned by a 2021 Chamber Music America Classical Commission Award<\/a>. A recipient of a 2021 Creative Capital Award, Kurt is working on a collaborative project with artist Marie Lorenz<\/a> and writer Dana Spiotta<\/a>. Their new piece, Newtown Odyssey<\/em><\/a>,<\/em> is a floating opera on the Newtown Creek addressing environmental catastrophe<\/a> by way of a fictionalized history. Rohde is a recipient of a 2022 NEA grant for Newtown Odyssey<\/em><\/a>, a <\/em>2021 NEA grant with Left Coast Chamber Ensemble for the micro-opera 4:30 Movie <\/em><\/a>based on the collection of the same name by poet Donna Masini<\/a>. Rohde has collaborated with artist Shelley Jordon<\/a> on their highly successful installation work [Lost] In The Woods<\/em><\/a>. Other collaborations include working with artists David Humphrey <\/a>& Jennifer Coates<\/a>. <\/strong>Kurt\u2019s CD of songs using texts by poets Scott Hunter and Diane Seuss,<\/a> It wasn\u2019t a dream\u2026<\/em><\/a> , was released on Albany Records in Spring 2020.<\/p>\n\n\n\n

Kurt has spearheaded two initiatives to help create opportunities for composers: The Kurt Rohde Commission Fund<\/em> <\/a>is a commission project supporting composers at different stages of their creative life, and Kurt Rohde\u2019s Farewell Tour Project \u2013 PARTS 1, 2, 3, 4, 5, & 6 <\/em>targets underappreciated creative voices in the new music community.<\/p>\n\n<\/div>\r\n\n\n

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Learn more at Kurt Rohde\u2019s website\u00a0\u00bb<\/a><\/p>\n\n\n\n

(This link leads to an external website that is not hosted by the university. The views and content expressed are those of the faculty member and do not represent the official positions of the university.)<\/em><\/p>\n\n<\/div>\r\n\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":8701,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"wsuwp_university_location":[],"wsuwp_university_org":[],"_links":{"self":[{"href":"https:\/\/music.wsu.edu\/focam\/wp-json\/wp\/v2\/pages\/186"}],"collection":[{"href":"https:\/\/music.wsu.edu\/focam\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/music.wsu.edu\/focam\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/music.wsu.edu\/focam\/wp-json\/wp\/v2\/users\/8701"}],"replies":[{"embeddable":true,"href":"https:\/\/music.wsu.edu\/focam\/wp-json\/wp\/v2\/comments?post=186"}],"version-history":[{"count":5,"href":"https:\/\/music.wsu.edu\/focam\/wp-json\/wp\/v2\/pages\/186\/revisions"}],"predecessor-version":[{"id":309,"href":"https:\/\/music.wsu.edu\/focam\/wp-json\/wp\/v2\/pages\/186\/revisions\/309"}],"wp:attachment":[{"href":"https:\/\/music.wsu.edu\/focam\/wp-json\/wp\/v2\/media?parent=186"}],"wp:term":[{"taxonomy":"wsuwp_university_location","embeddable":true,"href":"https:\/\/music.wsu.edu\/focam\/wp-json\/wp\/v2\/wsuwp_university_location?post=186"},{"taxonomy":"wsuwp_university_org","embeddable":true,"href":"https:\/\/music.wsu.edu\/focam\/wp-json\/wp\/v2\/wsuwp_university_org?post=186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}